sara-ragnarsdottir

sara-ragnarsdottir t1_jcxq3ys wrote

It's a ridiculous attitude and it comes from the (unfortunately) evergreen idea that genre fiction is just cheap entertainment and can't have anything, even remotely, interesting to say about the world etc.

The Last thing of Us IS an action/adventure game in third person where you have to hide from enemies or face them using firearms, and most of these enemies are zombies/infected. This is not an opinion, it's literally a fact. It's also the story of Ellie and Joel traveling together, through a world that is actively trying to kill them, and becoming each other's family. People who are saying otherwise need to get off their pedestal and admit that GASP they've been loving an action videogame where zombies play a pivotal part

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sara-ragnarsdottir t1_jcxl9nq wrote

This is simply the plot, the relationship between Ellie and Joel is the focus. But fans downplay the zombies part a lot. The gameplay is all about shooting the infected (and sometimes human) or trying to escape from them. They are a big part of TLOU and survival is not a minor issue in the game.

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sara-ragnarsdottir t1_jabmlfc wrote

And then it went downhill. My point is that HBO doesn't ALWAYS mean quality. Want another example? Lovecraft Country, one of the worst shows I've ever watched with a great potential, and, again, it was on HBO.

To sum it up: For All Mankind would have probably been the same show that it is now even if it was on HBO, there's no way to prove that it would have been improved when HBO itself dropped the ball many times in the past.

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sara-ragnarsdottir t1_j7c6eoy wrote

Lost is much different from The Leftovers. It's more action packed and plot oriented, and less meditative, but the characters writing is still top notch and there are plenty of philosophical concepts too.

Overall I would say don't expect something too similar to The Leftovers just because they share an author: they have some aspects and themes in common, but they're completely different in terms of mood and pacing. Nevertheless, if mysteries, twists and turns are what you're looking for then Lost is an excellent choice, as those things are even more emphasized than in The Leftovers.

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sara-ragnarsdottir t1_j5j5k2j wrote

I don't think adaptions from a manga (especially if compared to video games and novels) are actually that difficult when the animation studio has the time and money to do a good job. Some adaptations are nearly identical to the manga (an example: Monster). But with videogames it's different, since a completely faithful adaptation is almost impossible due to the nature of the media itself. Imagine what a nightmare it would be to adapt Dark Souls and Bloodborne, and Nier Automata isn't much easier.

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sara-ragnarsdottir t1_j5ebuim wrote

As for me, there is a very major scene in episode 3 (that was also hinted at the end of episode 2) that didn't quite hit like it did in the game. When I played that part I felt somewhat shaken by what was happening, but in the anime it felt too rushed, I didn't feel many emotions in it.

The whole episode had a weird pacing, as it presents two different locations (the refuge and the desert) of the game without spending enough time with either of them. Especially the part in the desert deserved more weight and a slower pacing to create a stronger sense of immersion imo. And even in terms of animations it felt too much unpolished to me, as if they were doing the bare minimum to release the episode.

Anyway, it's a very difficult game to adapt: it's dense, there is a lot of hidden lore, it's very introspective and has a peculiar narrative structure, so I don't blame them. I'm still hoping that the following episodes will do it justice since the author of the game is part of the team.

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sara-ragnarsdottir t1_j28erej wrote

I mean, why shouldn't it be so? Great movies remained great movies through the decades and The Wire is still not even that old when you think about it. I think it will forever be one of the greatest because it's the only TV show to do what it did: it was dense, long, complex, brutal, epic but still super realistic, which made it one of the most accurate social commentaries ever created in TV format. It's hard to replicate something like this and I'm not even that sure that writers are interested in doing it these days.

As for me, in my personal ranking of HBO tv shows, I would put it right after The Leftovers, in the second place. Both were a special experience, but The Leftovers is the tv show that resonated with me the most

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sara-ragnarsdottir t1_j1tjmmv wrote

I mean, The Leftovers is mostly about what happens inside those people's hearts and minds rather than what happens inside those small towns, so the small town vibe is not what makes it work. But to answer your question, they do move around a little, but I can only think of a few episodes set in a bigger city, if I recall correctly.

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sara-ragnarsdottir t1_is4nwyc wrote

Supernatural. I loved the first 5 season and I thought that season 6 was quite okay, but from season 7 the writing began to really feel iffy to me, but I still watched the next season because the showriters said that it was going to end with ten seasons, but then it turned out that they suddenly decided to make 15 seasons and I finally noped out of my Stockholm syndrome with this show.

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sara-ragnarsdottir t1_irv3y2y wrote

Dark has hands down my favorite soundtrack so far. It's not only beautiful and incredibly atmospheric, but they also managed to make it fit 100% with what was going on in the scree; it's actually quite rare for the action and the soundtrack, especially when it's not instrumental, to blend so well in a TV show

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